Check Out PS I Love You Motion Picture Review
Even though nobody can guess when death will pay them a visit and chop their life short, based on the film P.S. I Love You, with some applied imagination and proper planning in advance, you might be able to cheat the Grim Reaper slightly. Or in this instance at least, from beyond the grave.
Definitely not that this dark premise seems like ideal material for any whimsical romantic comedy. But filmmaker Richard LaGravenese (The Fisher King, The Bridges Of Madison County) accepts the process of juggling this life and the next for laughs, and awkwardly negotiates a frequently under plausible mutual understanding between the best of all possible worlds, such as they might be.
Holly and Gerry are played by Hilary Swank and Gerard Butler in P.S. I Love You, a stressed out young Manhattan couple into marriage meltdown at the moment, because they brawl verbally about Holly’s propensity towards too much shopping, not enough ‘hot, nasty sex’ on their weekly to-do list, Gerry’s unsexy slacker attitude toward vocational ambition, whether they forgot to have children on the way, and might this be very well all that there is from life. In the middle of Holly’s nightly nagging and lingering doubts about their relationship, happy-go-lucky Irish rocker import Gerry suddenly kicks the bucket. Which leaves Holly in a deep rut of guilt-ridden regret and inconsolable misery.
Even though worried mom Patricia (Kathy Bates) and nurturing best girlfriends Denise (Lisa Kudrow) and Sharon (Gina Gershon) have no success getting Holly to dispel those full-time blues, the sudden, mysterious delivery of a series of letters from late hubby Gerry, slowly work their magic in snapping their gloomy gal pal from her depressed state. The letters function just like a 12-step program presumably mailed in the afterlife, nudging the stricken widow back to normalcy and even just a little potential new romance. The tragicomic recovery process ends in at least two trips back to Ireland where the couple first met, where Mom and Holly embark on a weird adventure together, to go get men.
P.S.I Love You and its dead letter collection plot device is far too overdone, and feels considerably energy-inefficient and contrived to start with. Much more effective is LaGravenese’s sensitive physical and emotional layering from the complex unraveling of grief like a state of mind. And Swank gets it simply right with a fine-tuned subtle expression of confusion, despondency and rage, though Holly’s overly extended cranky self-pity party eventually wears out its welcome, for all of the characters and audience alike.
And yes it never quite seems sensible why Holly isn’t enamored through the persistent advances of the infatuated hunk played by Harry Connick Jr., even if the guy is a little on the eccentric side, as when he invades her private space in the local pub’s john to present her with the heart he wears a little too prominently on his sleeve. Regardless, P.S. I Love You, might have done with a lot smaller amount of a sense of standing on rewind as each posthumous letter arrives, and every time a romantic urge or mental mood swing gets reshuffled.
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